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戴定澄教授其他文章
區師達神父鋼琴作品《澳門景色》探討
遙遠的回聲 -- 國際音樂節欣賞東正敎早期多聲部聖樂
本土歷史和民間傳統文化的保存策略 -- 從鄧思平塡詞葡族歌曲談起
古琴音樂:形態、風格與研究方式 -- 從一場古琴音樂會談起
“愛與死”的悲劇的前奏 -- 瓦格納“特里斯坦與伊索爾德”前奏曲評析
林樂培禮樂作品“天主經” 音樂分析

戴定澄簡

戴定澄,教授,作曲理論博士(上海音樂學院作曲系首位博士)。主要研究領域為歐洲早期多聲音樂,2003年赴澳門工作後同時開始關注和研究澳門城市音樂。現爲公立澳門理工學院藝術高等學校資深教授,澳門特區政府文化諮詢委員。兼任中國音樂家協會理事,中國高校理論作曲委員會副主任,中國中央音樂學院、中國音樂學院、英國紐卡素大學、中國廣州星海音樂學院、華南師範大學等客席教授,世界合唱聯盟、亞太民族音樂學會等理事,澳門樂團顧問委員,澳門教育青年局“中小學音樂學力要求”研製組顧問,澳門基金會文化項目評審小組成員、澳門長虹音樂會、澳門道樂團、澳門管樂協會、集樂澳門協會、世界南音聯誼會等團體名譽音樂總監、名譽會長等。曾任上海師範大學音樂學院首任院長,上海音樂家協會副主席,上海音樂家協會理論委員會主任,澳門理工學院藝術高等學校校長。

幼時學習音樂,參與各類音樂團體演奏活動,並於上海完成音樂學士學位及助教進修,後赴日本國立靜岡大學隨須貝 靜直(Shizunao Sugai)教授研修,再於上海音樂學院作曲系隨桑桐先生學習。多次赴海內外講學和作課題研究。著述10餘部,中、英、日文論文及音樂文章百餘篇,包括:《初期多声音楽における双音原理について》(日本,1996);《歐洲早期和聲的觀念與形態》(2000、2001) ;《鍵盤和聲》(1992、2001、2004);《音樂教育在澳門》(2005);《音樂表演在澳門》(2005);《音樂創作在澳門》(2007);《澳門音樂簡史》(2008);《合唱經典》(2008); 《20世紀澳門天主教音樂》(中文版2013 ;英文版2015 ;葡文版歐洲出版2018); A survey of liturgical composition in Macao in the twentieth century: musical life with Sao Jose as its centre .Rouledge Taylor and Francis Group  LONGDON AND NEW YORK  2013);《16世紀歐洲多聲部音樂研究》(美商EHGBooks出版全球發行);《澳門本土鋼琴作品研究》(唱碟2017)等。音樂研究、創作與教學獲獎無數。2013年,因對本地音樂文化的學術貢獻,被澳門特區政府授予“文化功績勳章”。

Dai Dingcheng, holder of PhD (Composition Theory), is Professor of Musicology of the School of Arts at Macao Polytechnic Institute (MPI). His research is largely based on early European polyphony and contemporary music. Ever since his arrival in Macao in 2003, Dai is involved in projects related to urban musicology. He is a member of Cultural Consultative Committee of the Macao SAR, committee member of Asia Pacific Society for Ethnomusicology, Deputy Director of National Higher Education Academic Committee on Music Theory and Composition, committee member of World Choir Council, guest fellow of Central Conservatory, guest professor of Xinghai Conservatory of Music and South China Normal University . He is also the advisor to the Macao Orchestra, consultant of‘Aptitude Requirement of Music for Primary and Secondary Schools’ developed by Direcção dos Serviços de Educação e Juventude, honorary chairperson and artistic director of various societies in Macao such as Macao Cheong Hong Music Club, Macao Taoist Orchestra Association, Macao Band Directors Association and World Southern Music Friendship Association. Dai has been the Dean of the Music College of Shanghai Normal University, Visiting Professor of Newcastle University in United Kingdom, Vice President of Shanghai Musicians Association, and Director of School of Arts of Macao Polytechnic Institute. Dai received his early music training and studied the Bachelor of Music degree in Shanghai. He then further studied his postgraduate degree at Shizuoka National University. Afterwards, he went back to Shanghai and continued his PhD study under the instruction of Sang Tong in the Department of Composition of SCM. He frequently visited various countries to do research and gave lectures. Dai has published dozens of articles and more than 100 analytical essays in Chinese, English and Japanese in Asia, Europe and the US. Dai’s monographs include: Concepts and Forms of Early European Harmony (Shanghai Music Publishing House [SMPH], 2001), Keyboard Harmony and Improvisational Accompaniment (Anhui Literature and Art Publishing House, 1992), Music Education in Macao (Macao Daily Press [MDP], 2005), Music Performance in Macao (MDP, 2005), Music Compositions in Macao (MDP, 2007), Brief Music History of Macao (Macao Foundation, 2008). Besides, Dai has compiled Choral Classics – Renaissance Choral Works (People’s Music Publishing House, 2008),Catholic Music in Macao in the Twentieth Century(Cultural Affairs Bureau of the Macao S.A.R.Goverment), Selection of Early European Choral Works (SMPH, 2001), CD collection Remote Echo (SMPH, 2000), Dai has received numerous awards and honors in music research, composition and teaching. In 2013, Dai received a Medal of Cultural Merit from the Macao SAR Government


2013年獲澳門特區政府頒授“文化功績勳章”